Thoughts . . . by Mark Rich

. . . scribbled . . . scrawled . . . trimmed . . . typewritten . . . grubbed up . . . squeezed from circumstance . . .

Showing posts with label feminist science fiction. Show all posts
Showing posts with label feminist science fiction. Show all posts

Thursday, May 23, 2013

Dejah Thoris and Others

In recent years I have hoped some feminist student of science fiction would discover a fruitful area of study being opened within my Kornbluth biography's pages, and take off running. That not having occurred——to my knowledge——I have taken matters into my own hands. I will be taking a feminist revisionary look at Kornbluth in a talk this weekend at Wiscon, the feminist science fiction gathering in Madison.

Interestingly, one of the guests of honor, Jo Walton, wrote recently about The Space Merchants in a manner that indicates she remains unaware of the arguments in my book.

Ignorance of my book bothers me not at all. The failure of its information and ideas to penetrate the science fiction field, however, does.

I believe anyone who becomes familiar with the facts will come to regard The Space Merchants as an embarrassment. It reduces women to nothings, and distorts readers' understandings of Kornbluth's own egalitarian approach to his life and his work.

... And why do I call this entry "Dejah Thoris and Others"—–? I will also read at Wiscon a story upcoming in an Aqueduct Press anthology ... a story that reveals what Burroughs never said about his Princess of Mars.

Cheers ...

Tuesday, June 15, 2010

Puritan Planet, Part II

Carol Emshwiller's "Puritan Planet" is interesting additionally (see previous posting) in that it can be read as a commentary on the masculine hierarchy.

The hero, Morgan, in is a forced-landing situation -- with the landing complicated by the fact that the obviously inhabited world he is landing upon offers him no support for his landing there.

The planet is named Brotherhood.

Morgan reflects on the irony of this name in the face of its uninviting aspect. Later, when in contact with its representatives, he finds himself speaking with individuals who state their concern, first and foremost, for the children of their planet.

Morgan is seen by these inhabitants of Brotherhood as not a "brother" but as a threat to these children. He is seen in this negative light due to his displays of masculine coarseness. Because he is seen as a threat to the children's innocence, he is left to die in the place where he has crash-landed.

The Brotherhood representatives, in other words, give lip service to a maternally nurturing spirit. In their actions, or inaction, however, they demonstrate a brutal, perhaps violent, perhaps masculine character.

Brotherhood is isolationist and exclusionary, rather than open and receptive to outside influences and to possible change.

Cheers ...