Correction for NYRSF Chan Davis Essay-Review

Because of the political nature of much of Dan Davis's writing, I took pains over the wording of my essay-review about It Walks in Beauty: Selected Prose of Chandler Davis, edited by Josh Lukin. My essay has just appeared in The New York Review of Science Fiction (25:9, whole number 297, May 2013, pp. 1, 4-6) —– and unfortunately near the beginning it contains a sentence that makes me sound a touch out of touch.

While I favor there being a bit of nonsense in my writing I would rather put it there myself, accidentally or otherwise.

A well-meaning editorial change has created this sentence: "After the Red Scare, Davis cut short his career at University of Michigan, opting to leave the United States and reestablish himself in Canada."

What I wrote is this: "Davis, after the Red Scare cut short his career at University of Michigan, opted to leave the United States and reestablish himself in Canada."

I am politically unsavvy in many ways —— but not in such a way that I think Chan Davis enjoyed any choice about his Michigan career ending. Fortunately, later in the essay I mention that Davis received summons and jail time: so persevering readers may think I am not as much a cluckbrain as I appear to be, at first ... or perhaps more of one.

Perhaps I chose too positive a word in "opted." Resuming his academic career in the U.S. had closed, as an option. Unpleasant circumstances and the purging of the liberal element from U.S. higher education forced him to "opt."

Would Davis have remained bitter about the University of Michigan's failure to apologize for its actions, had it indeed been the case that "Davis cut short his (own) career" ... ?

Cheers ...

Unexpected Boost from The Operaphile

The esteemed and dedicated administrative assistant at McFarland & Company Lori Tedder has sent me another review of C.M. Kornbluth: The Life and Works of a Science Fiction Visionary -- one which appeared in an unusual venue.

The biography seems to have been featured at the beginning of the radio program "The Operaphile" at the end of January. What I received were some pages from a typescript. In handwriting on the first page appears the notation, "Aired 30 Jan 10 WFOS-FM."

Do opera fans respond to the fiction of Cyril Kornbluth? Apparently so. (And I suppose if I had gone on in the Classical music field, I would have found nothing too unusual about it -- being one who has attended operas.) The comments were quite favorable:

"How many of us who started with science fiction or, rather, 'sci-fi,' during the 1950s remember reading Kornbluth's short stories in almost every anthology that was released during that rich period? I'll be we all do. In fact, look through almost any anthology published today and you'll see one of his stories."

While that is not quite right-on, it constitutes some positive wishful thinking. The host or commentator of "The Operaphile" goes on, "True, a sizeable portion of Kornbluth's later work (he died in 1958 at the age of 35), like other postwar fiction writers, either focused on or was certainly influenced by two factors, the Red Scare and The Bomb. But, unlike less talented authors, even those stories and novels have much we can still enjoy.

"Mr. Rich's exhaustive work is not just the life of C.M. Kornbluth. It is also a biography of the science fiction movement that was largely started by Hugo Gernsback in the 1920s and '30s with pulp magazines like Amazing Stories. Science fiction stories and novels were certainly published before that but it was now given a new name and a devoted following of boith fans and writers that continues today. A highly recommendable book that is an excellent read."

The minor quibble is, of course, that Cyril actually died at age 34. But that is a fact I failed to snatch away from the back-cover copy when I had a chance -- so it is just about fixed in the pixels. And I suppose if he had passed his 34th birthday and was on his way to his 35th ... which date is more meaningful? I cannot say.

Cheers ...