Thoughts . . . by Mark Rich

. . . scribbled . . . scrawled . . . trimmed . . . typewritten . . . grubbed up . . . squeezed from circumstance . . .

Showing posts with label Ralph Waldo Emerson. Show all posts
Showing posts with label Ralph Waldo Emerson. Show all posts

Sunday, November 1, 2020

Toys in the Age of Wonder


My new book has been published.

I am here announcing it . . . about a month late. Am I laggard in my affections? (Where in the world does that line come from?) Actually, I rather like this book. I have lived with it for ten years, and have struggled over its myriad subjects, facts, and ideas for many more. It has its flaws, but sits all the same among my most important efforts, in the arts.

Toys in the Age of Wonder: Science Fiction, Society, and the Symbolism of Play brings together many things. My personally favored title, Wonder Tales, Toys, and the World that Swallowed Itself, I believe does convey some of the book's breadth. In it, I am talking much less about science fiction than the wonder tale; I am thinking about toys whether they were dimestore baubles or Emerson's "toys that infatuate men and which they play for;" and I am exploring the West's efforts to technically envelope the human sphere — a "consolidated civilization scheme," as I recall a character saying, in one story I discuss. I speak about toy history, history of science, novels, poetry, comic strips, lexical changes, and cultural changes. I draw in works by Poe and Verne, in particular, and by many other authors along the way — with "the way" moving mainly along a time-line from 1859 to 1957-8. My method is cultural criticism, on model of Lewis Mumford, with further guidance taken from the writings of Northrup Frye and Van Wyck Brooks — among, again, many others.

The book's illustrations, all in black and white, make it other than the glossy and colorful affairs which some among my earlier ones were. The items pictured, however, show what sorts of things fascinate me: illustrations from both children's and older-reader books; photographs of children with toys; catalog pages; postcards; World's Fair images and memorabilia; and the toys themselves, children's and adult — anything, in other words, that conveys the symbolic reality that prevails, to my point of view, over the concrete, in culture.

I should note that my announcement's delay comes from concern and circumstance. I did and do wonder: should I, indeed, make a quiet noise about this, and act as though the book's publication might rank in any way against the troubles of our time — the pandemic, the criminal political "leadership," the bought-and-sold legislatures, the bestial police actions, the wildfires, the extinctions, the dying of the only economy that truly matters, which is the economy of life on Earth?

The book does rank, in a way, and not only because it happened to become a fact in this particular time. It ranks, in its small way, because, for the patient few who read it, it will help elucidate how it is that we placed ourselves into these times which encompass our lives. Moreover, it discusses the process by which our present conditions came into being.

A circumstance working into this announcement's delay came about from my having an "outdated" computer system which my blog's host decided to stop recognizing or allowing, a few months ago. Having limited means, limited technical savvy, and a will-to-succeed that often ends up absorbed in soup-makings, dishwater, and garden dirt, it took me quite a while to reach that point in which I could not only pencil these words but also publish them electronically here.

My sympathy for those poorer than I am has grown quite keen. So much activity has shifted on-line during the pandemic that ever more individuals are, literally, being virtually excluded from society. While a part of society is reflected off and conducted by the shell of satellites circling Earth, another part goes unreflected.

Now myself enabled, until that point when I am granted obsolescence once again by our technological shell, I propose to make some quiet noise in relation to my book — with the hope that people will understand that if I make myself a nuisance — oh, if only! — I do so not to advance my fortunes, which will grow by little more than nothing from this effort, but to advance my society's, in however microscopic a manner.

Cheers . . .


P.S. The book has a higher price-tag than I might wish. When your nearest library reopens, please make a request for it.

Monday, May 11, 2020

Exit Bloom, Enter Bloom

[Written March third, this year.]

For days, in the mornings when studying Emerson, I looked at the last blooms on the Christmas cactus, and yearned to have pencil and paper at hand to draw what I saw — the fragile, warm-toned, and drooping bloom seen only partially, through the fern that sits nearer at hand — through its dark stems, its leaves capturing in green the northern window's morning light.

And now I see only the spent blossom — still, it is true, fragile, warm-toned, and drooping — there, barely, through rising stems and spreading leaves.

And now, too, with the cactus done, the begonia on the same table blooms.

Wednesday, April 1, 2020

All Today's Observances Banned

Dissociated Press, Washington, April First: The President announced early today the banning of all April Fools observances, as inappropriate in a time of crisis.

"This is no joke," he told reporters, which he confirmed by turning red in the face and farting from his ears, the trademark gesture that made him the darling of red-in-the-face states.

In a related move, administration forces, by the U.S. Senate fondly called the Russian Trolls, shut down the website of presidential hopeful Bunsen Bernie on the grounds that it was a joke.

The candidate responded with a new website that stated, "In looking at our country's leadership now I finally understand what Ralph Waldo Emerson meant when he said, 'The world of men show like a comedy without laughter.'"

The president said, "That's not funny," and was unable to shut down the new website as a consequence.

— By Ezra Pines, DP's reporter on the Fool on the Hill.